More of a literary adventure than an actual autobiography, David Shields's "Enough About You: Adventures in Autobiography" presents a collection of loosely organized, self-reflective essays, ranging from such disparate topics as the author's past, dreams, and heroes to his thoughts on basketball, Jewish culture, and Bill Murray. Uniting the book is Shields's examination of autobiography, his interest in the way we identify ourselves, and the most effective ways of investigating and communicating our identity. \n Shields writes with convincing intelligence and fluidity on the book's more academic topics, such as the effectiveness of Nabokov's structure by memory association in "Speak, Memory" and Renata Adler's use of collage in "Speedboat". Yet when he emulates such works with random glimpses into his own past and character, he doesn't provide enough personal detail to make effective use of these techniques. He's a bit too preoccupied with theory to offer a satisfying self-portrait. Ultimately, Shields seems distracted by the need to cover all his critical bases and make a postmodern statement, consequently distracting and distancing the reader from establishing much of a connection with the author. He writes in the book's prologue that he "wants to cut to the absolute bone" of "his own damned, doomed character," yet admits in the epilogue to having falsified much of its personal information. It's unfortunate that he doesn't let his academic guard down more often, because what personal insight he does provide (accurate or otherwise) is very entertaining. He recognizes the absurd self-absorption inherent in memoir, and that goes a long way in a book about the subject. An interesting if flawed experiment, "Enough About You" should nonetheless appeal to memoir enthusiasts looking for perceptive and humorous views on our own perpetual self-fascination. "--Ross Doll"